From 28 October, Fondazione Prada Milano presents a retrospective devoted to the artist Domenico Gnoli (Rome, 1933 – New York, 1970), that gathers over 100 works and an equal number of drawings.
The research behind the project, conceived by Germano Celant, reconstructs the biographical and artistic path of Gnoli, who can hardly be assimilated to the main artistic currents of the second half of the 20th century. Created by the design studio 2×4 in New York, the two-floor exhibition setting harks back to 20th-century museum environments where artist’s works are arranged in themed series that testify the artist’s conviction in pursuing his own research in a radical reinterpretation of classical representation.